No exaggeration, no hyperbole, no outrage can realistically describe the extent and pace of change... in fact, only the exaggerations appear to be true. -Warren Bennis (1968)

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Polycryllic Metachromes

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  • Fuller-Warren Bridge, Jacksonville acrylic on canvas, 30 x 40 in. 2009.
  • Bird Island, Lakewood, Jacksonville acrylic on canvas, 18 x 24 in. 2008.
  • Lakewood, Jacksonville acrylic on canvas, 18 x 24 in. 2008.
  • The JTB, Jacksonville acrylic on canvas, 18 x 24 in. 2008.
  • Untitled, Veggie Study, acrylic on canvas 16 x 20, 2009.
  • Untitled, Veggie Study, acrylic on canvas 16 x 20, 2009.
  • Tulane Ave, Jacksonville acrylic on canvas, 18 x 24, 2008.
  • San Jose, Jacksonville acrylic on canvas, 18 x 24, 2008.
  • Pine Woods #1, Cheney, Washington acrylic on canvas, 4x6in. 2009.
  • Pine Woods #2, Cheney, WA acrylic on canvas, 18 x 24in. 2009.
  • Turnbull Wildlife Sanctuary, Cheney, WA acrylic on canvas, 18 x 24 in. 2009.
  • Riverside State Park, Spokane, WA acrylic on canvas, 16 x 20 in. 2010.
  • Riverside State Park #2, Spokane, WA acrylic on canvas, 16 x 20 in. 2010.
  • Custer State Park, SD acrylic on canvas, 16 x 20 in. 2010.

These polychromes are performed live, on location and within the uprights of a limited amount of time. Like the observational drawing I teach, they are about maintaining a healthy sense of vision so that ideas hidden in plain sight are revealed.

KEY:

Plastic

Water

Practice

Weather

Community

Public Interaction

Agency

Jul 03, 2009 | Featured, Uncategorized

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